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Global Chart Report
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'Espresso' reigns a ninth week
Sunday, July 21, 2024
by Fred Chuchel, Dresden

 

The first half of the year 2024 is over, so let's take a look back: 'Beautiful Things' by Benson Boone was the big winner during this period. The power-ballad about the meaning of life, where Boone reflects on gratitude for life, love and volatility of happiness, started in the calendar week 5 at no.35, reached quickly number one and stayed there for nine weeks. Meanwhile it has achieved a total of 6,955,000 points. Another powerful ballad lands at the runner-up spot: it's 'Lose Control' by Teddy Swims with 5,846,000 points added up. 'Greedy' by Tate McRae rounds out the top three of the year-to-date list with 5,026,000 points in 2024. Already bowed in September last year, it got additional 3,215,000 points in 2023. Taylor Swift's new album 'The Tortured Poets Department' has left the competition far behind. In only 10 weeks the set generated more than 6,4 million equivalent sales, the fastest selling album since Adele's '25' eight and half years ago! It's not only the most

successful album of the first half of 2024, rather certainly of the entire year. Also at number two of the year-to-date list ranks Taylor Swift, the addition of her '1989' and '1989 (Taylor's Version)' albums brings it to another 2,3 million equivalent sales between January and June 2024. With a total of nearly 21,95 million units the effort lands currently at no.59 on the ALL TIME CHART. Morgan Wallen's 'One Thing At A Time' lands at no.3 on the half-year chart with 1,92 million equivalent sales. Back to our weekly charts, where Sabrina Carpenter's 'Espresso' rules the Global Track Chart for a ninth non-consecutive week with 356,000 points (down 5,5% compared to the previous week). Broken down by segments the summer smash generated 237,000 points by streaming (down 8%), 35,000 points by sales (up 3%), and 84,000 points by airplay (down 1%). Billie Eilish's 'Birds Of A Feather' remains at the runner-up slot with 299,000 points (up 3% compared to the week before with 246,000 points by streaming, 29,000 points by sales, and 24,000 points by airplay). Rounds out the top three is Sabrina Carpenter's second big smash 'Please Please Please' with 277,000 points, down 3% compared to the previous week and with 223,000 points by streaming, 29,000 points by sales, and 25,000 points by airplay). Highest debut of the week comes from an unusual combination: 'Alibi' by Iranian-Dutch singer, songwriter and visual artist Sevdaliza, together with Brazilian singer and drag queen Pabllo Vittar and French musician Yseult starts at no.21 globally with 129.000 points. Outside our weekly Top 40 waiting among other 'Gong' by the SixTones at no.41, 'Brand New Dance' by Eminem at no.48, and 'The Night We Met' by Lord Huron at no.49 for their first appearance on the hitlist. Back to the roots: Over 20 years ago Media Traffic started the weekly Global Album Chart. At that time this hitlist was based exclusively on sales figures and - like the Track Chart - included 40 positions. But the global album sales fell dramatically over the years, and that's why we shortened the Top 40 to a Top 10 list in June 2016. Later we included streaming data and now with the further increase in the streaming share we can finally offer an expanded hitlist again. Eminem catapults atop this week's Global Album Chart with his 12th studio album 'The Death Of Slim Shady (Coup De Grâce)'. The set starts with 367,000 equivalent sales (219,000 streaming points + 148,000 sales points). Eminem's former studio effort 'Music To Be Murdered By' bowed also at the summit of the Global Chart with 415,000 sales in the calendar week 5, 2020. His renewed success is remarkable, but far away from the times of over 20 years ago, when 'The Marshall Mathers LP' (2000) and 'The Eminem Show' (2002) started with nearly 2 million sales, respectively more than 1,5 million sales in the first seven days at retail. 'Romance: Untold', the new album by South Korean boy group Enhypen, arrives at the runner-up slot with 363,000 equivalent sales (24,000 streaming points + 339,000 sales points) and rounds out the top three is 'I Sway', the 10th extended play by South Korean girl group (G)I-dle, with 127,000 sales (5,000 streaming points + 122,000 sales points). And now, as every week, additional stats from outside the current Global Album Top 20 in alphabetic order, the first figure means last week's sales, the second figure the total sales: '1989' by Taylor Swift 11,000 / 16,336,000, '1989 (Taylor's Version)' by Taylor Swift 36,000 / 5,612,000, '21' by Adele 14,000 / 32,937,000, '25' by Adele 8,000 / 25,049,000, '30' by Adele 7,000 / 6,442,000, 'After Hours' by The Weeknd 27,000 / 9,682,000, the soundtrack to 'Barbie: The Album' 13,000 / 2,353,000, 'Cowboy Carter' by Beyoncé 15,000 / 1,363,000, 'Divide' by Ed Sheeran 17,000 / 21,029,000, 'Endless Summer Vacation' by Miley Cyrus 8,000 / 1,920,000, 'Equals' by Ed Sheeran 9,000 / 6,023,000, 'Evermore' by Taylor Swift 14,000 / 6,011,000, 'Folklore' by Taylor Swift 34,000 / 10,245,000, 'For All The Dogs' by Drake 12,000 / 3,108,000, 'Future Nostalgia' by Dua Lipa 23,000 / 8,907,000, Génesis' by Peso Pluma 18,000 / 2,127,000, 'Golden' by Jung Kook 29,000 / 2,638,000, 'Harry's House' by Harry Styles 25,000 / 6,952,000, 'Heroes & Villains' by Metro Boomin 20,000 / 4,104,000, 'Midnights' by Taylor Swift 36,000 / 11,139,000, 'Radical Optimism' by Dua Lipa 27,000 / 622,000, 'Red (Taylor's Version)' by Taylor Swift 18,000 / 5,914,000, '17 Is Right Here' by Seventeen 10,000 / 1,204,000, 'Sour' by Olivia Rodrigo 39,000 / 10,399,000, 'Speak Now (Taylor's Version)' by Taylor Swift 13,000 / 3,338,000, 'Utopia' by Travis Scott 36,000 / 4,065,000, 'Vultures 1' by ¥$: Kanye West & Ty Dolla $ign 8,000 / 1,172,000, and 'When We All Fall Asleep, Where Do We Go?' by Billie Eilish 13,000 / 11,896,000.


GLOBAL NO.1 - 10 YEARS AGO ... "Stay With Me", released on 14 April 2014, is from Sam Smith's debut studio album In the Lonely Hour (2014). It's a gospel-inspired ballad that details the protagonist pleading with his one-night stand not to leave him. The music legends Tom Petty and Jeff Lynne receiving co-writer credits due to the song's similarity to Petty's single "I Won't Back Down". In an interview Sam Smith said that the song was written in a studio in Old Street with James Napier and William Phillips. The latter started playing with three chords on the piano, and Napier quickly provided a drum pattern, and according to Sam Smith, "the song just flowed out of us so naturally." After finishing the song, he started to layer his vocal about 20 times, singing in different parts of the studio and harmonizing. The result sounded like a gospel choir, but all from his own voice, and this demo was then used in the released song. The single topped the charts in United Kingdom, Canada, Ireland and New Zealand, in the United States it reached no.2. At the 57th Annual Grammy Awards ceremony, "Stay With Me" won two Awards for Record of the Year and Song of the Year.


USA
Billboard Report
(excerpt)
Kendrick Lamar's 'Not Like Us' returns to No.1
Tuesday, July 16, 2024
by Keith Caulfield & Gary Trust, Los Angeles


Kendrick Lamar's “Not Like Us” rebounds to No. 1, from No. 3, on the Billboard Hot 100 songs chart, sparked by the July 4 premiere of its official video. The track adds a second week at

the Hot 100’s summit, after it debuted at No. 1 nine weeks earlier. It became a pop-culture fixture and spent the next eight weeks after its arrival between Nos. 2 and 6, including the last two frames at No. 3. In that span, it was further boosted by Lamar’s Juneteenth The Pop Out: Ken & Friends concert – in which he performed the seething diss track five times – at the Kia Forum in Inglewood, Calif. “Not Like Us,” on Top Dawg / Aftermath / Interscope, reigns with 53.8 million official streams (up 20%), 40 million radio airplay audience impressions (up 9%) and 8,000 sold (up 16%) in the United States July 5-11. The song scores a fifth week over 50 million weekly streams, the most for a title this year. (Tommy Richman’s “Million Dollar Baby” ranks second with three such weeks.) In all, songs have combined for 17 weeks of 50 million or more streams in 2024; last year, only one song reached that mark, twice: Miley Cyrus’ “Flowers.” “Not Like Us” lifts 2-1 for a fifth week atop

the Streaming Songs chart, the most for a track this year; 6-4 on Digital Song Sales, after reaching No. 3; and 10-9 for a new high on Radio Songs. Morgan Wallen’s “Lies Lies Lies” enters the Hot 100 at No. 7 with 27 million streams, 4.5 million in airplay audience and 14,000 sold in its first week, following its July 5 wide release. The ballad was originally recorded at London’s Studio Two at Abbey Road Studios last December and first released March 3 as part of his seven-song Abbey Road Sessions digital series. Shaboozey’s “A Bar Song (Tipsy)” ranks at No. 2 on the Hot 100, a week after it became his first No. 1, and claims the chart’s top Airplay Gainer award (69.5 million in audience, up 16%). It leads Digital Song Sales for a ninth week (21,000, down 8%). Post Malone’s “I Had Some Help,” featuring Morgan Wallen, slips 2-3 on the Hot 100 following six nonconsecutive weeks at No. 1 beginning in May. It tops Radio Songs for a third week (81 million, up 2%). Tommy Richman’s “Million Dollar Baby” rises 5-4 on the Hot 100, after hitting No. 2. Sabrina Carpenter’s “Espresso” dips 4-5 on the Hot 100, after reaching No. 3, and her “Please Please Please” keeps at No. 6, three weeks after it became her first No. 1. Hozier’s “Too Sweet” descends 7-8 on the Hot 100, following a week at No. 1 in April. Rounding out the Hot 100’s top 10, Benson Boone’s No. 2-peaking “Beautiful Things” drops 8-9 and Teddy Swims’ “Lose Control,” which led for a week in March, backtracks 9-10. Taylor Swift’s The Tortured Poets Department captures a 12th consecutive and total week at No. 1 on the Billboard 200 (dated July 20), beating 1989 and Fearless (each with 11 weeks at No. 1) as her longest-leading No. 1 album. Of The Tortured Poets Department’s 163,000 units earned in the week ending July 11, album sales comprise 90,000 (up 154%, making it the top-selling album of the week, and No. 1 on Top Album Sales for a sixth non-consecutive week), SEA units comprise 72,000 (down 7%, equaling 94.83 million on-demand official streams of the deluxe album’s 31 songs; it falls 1-2 on the Top Streaming Albums chart after 11 weeks in a row at No. 1) and TEA units comprise 1,000 (up 7%). Of Swift’s overall album sales for the week, CD sales comprise 67,000 (up 127%), digital album download sales comprise 19,000 (up 1,266%) and vinyl sales comprise 4,000 (down 10%). The Tortured Poets Department’s overall weekly increase was bolstered in part by sales generated from Swift’s official webstore, which restocked seven earlier-released CD variants of the album (including a signed edition). Zach Bryan’s The Great American Bar Scene rises 17-2 in its second week on the Billboard 200, following its first full tracking week of activity. The set earned 137,000 equivalent album units in the week ending July 11 (up 363% from its first day). The previous week’s list captured the tracking week of June 28-July 4, and Bryan’s album was released on Thursday, July 4. The set premiered on the previous week’s list with 32,000 units from first day of release. (Albums are typically released on Friday each week, which is the first day of the chart’s tracking week.) Of The Great American Bar Scene’s second chart-week units, SEA units comprise 127,500 (up 390%, equaling 163.87 million on-demand official streams of the set’s 19 tracks; it jumps 18-1 on Top Streaming Albums), album sales comprise 8,500 (up 66%, it was only available to purchase as a digital download album) and TEA units comprise 1,000 (up 113%). The album will be released on CD and vinyl on Oct. 11. The album was preceded by a pair of Billboard Hot 100-charting songs: “Pink Skies” (peaking at No. 6 in June) and “Purple Gas,” with Noeline Hofmann (No. 70). The Great American Bar Scene marks the fourth top 10-charting effort for Bryan on the Billboard 200, following Boys of Faith (No. 8, October 2023) his-self titled set (No. 1, two weeks, September 2023) and American Heartbreak (No. 5, June 2022). Morgan Wallen’s former leader One Thing at a Time falls 2-3 with 69,000 equivalent album units earned (down 6%); Billie  Eilish’s Hit Me Hard and Soft is a non-mover at No. 4 with 58,000 (down 8%); and Chappell Roan’s The Rise and Fall of a Midwest Princess is stationary at No. 5 with 54,000 (down 10%). Wallen’s chart-topping Dangerous: The Double Album holds at No. 6 (40,000; down 8%); Noah Kahan’s Stick Season rises 9-7 (38,000; down 3%); Shaboozey’s Where I’ve Been, Isn’t Where I’m Going is a non-mover at No. 8 (36,000; down 10%); and Megan Thee Stallion’s Megan falls 3-9 in its second week (32,000; down 50%). Closing out the top 10 is a second Zach Bryan title, as his self-titled No. 1 rises 12-10 with nearly 32,000 equivalent album units (down 12%). It’s the second time Bryan has placed two titles in the top 10. He first did it on the Oct. 7, 2023-dated chart, when his self-titled set fell 3-5 in its fifth week, while his Boys of Faith project bowed at No. 8.


Record Of The Month
'Alibi' is a furious tune by Iranian-Dutch singer, songwriter and visual artist Sevdaliza,
together with Brazilian singer and drag queen Pabllo Vittar and French musician Yseult.


United Kingdom
Music Week Report
(excerpt)
Shaboozey's 'A Bar Song (Tipsy)' remains at No.3
Monday, July 15, 2024
by Alan Jones, London

 
Sabrina Carpenter continues to dominate the singles chart, taking the top two positions for the fourth week in a row but with a twist, as her first No.1, Espresso – which spent five weeks at the summit, before retreating to No.2 for a further five weeks – wrests control from her follow-up, Please Please Please,

which has reigned for the last three weeks. Consumption of both tracks is down quite significantly however, with Espresso (2-1, 54,074 sales including 52 CDs, three cassettes, 928 digital downloads and 53,091 sales-equivalent streams) off 12.00% week-on-week to a 12-week low, while Please Please Please (1-2, 53,112 sales) declines 13.63% week-on-week. Espresso’s tally is the lowest for a No.1 for 17 weeks. Carpenter becomes one of the few artists in chart history to replace themselves at No.1, joining an elite group consisting of The Beatles, John Lennon, Elvis Presley, Justin Bieber, Ed Sheeran, Ariana Grande and Elton John. She is the third artist in chart history (and first woman) to secure the top two slots on the chart for four weeks in a row, the others being Justin Bieber (2015, four weeks in a row) and Ed Sheeran (2017, five weeks in a row). Shaboozey appears to be drawing closer to Carpenter’s two hits with his debut smash, A Bar Song

(Tipsy) which is at its peak position of No.3 for the third week in a row and sixth time in all. It was 35.35% in arrears of her No.1 a fortnight ago, 22.92% behind last week, and now trails by 16.85% - but, despite getting a boost from the release of David Guetta and Alesso mixes a fortnight ago, it is also in decline, with its lead over the rest of the Top 10 diminishing quickly. Down 6.33% week-on-week to 46,861 units, consumption of A Bar Song (Tipsy) is at a 10-week low. More positively, the track has now gone platinum with to-date consumption of 613,167 units. Currently No.1 in the USA, it has probably lost its chance here, with ACR likely a fortnight away. After falling for five consecutive weeks from its peak position of No.6 to No.21, Kendrick Lamar’s diss track Not Like Us has climbed three times in a row, with consumption growing 28.94% week-on-week to 31,780 units in the first full week since its promotional video debuted, helping it to jump 11-9 in the latest frame, its highest position for eight weeks. The rest of the Top 10: Birds Of A Feather (5-4, 41,315 sales) by Billie Eilish, Good Luck, Babe! (4-5, 40,489 sales) by Chappell Roan, Stargazing (7-6, 38,974 sales) by Myles Smith, Houdini (6-7, 32,588 sales) by Eminem, I Had Some Help (8-8, 31,891 sales) by Post Malone feat. Morgan Wallen and Austin (9-10, 30,921 sales) by Dasha. Overall singles consumption is down 3.01% week-on-week to 27,780,426 units – a 26-week low but 5.34% above same week 2023 consumption of 26,372,317 units. Paid-for sales are down 18.28% week-on-week at 266,266 – 8.58% below same week 2023 sales of 291,261. Kasabian become the second group and third act in chart history to debut at No.1 with seven consecutive albums this week, with their eighth studio album, Happenings’ chart-topping arrival being attended by consumption of 19,752 units (12,940 CDs, 5,044 vinyl albums, 545 digital downloads and 1,223 sales-equivalent streams). Consisting of 10 songs with a playing time of just 28 minutes Happenings is the shortest No.1 album since Blackpink’s Born Pink (2022, 24m 34s). It is the second Kasabian album on which their principal songwriter Sergio Pizzorno – who singlehandedly wrote every song, although first track Darkest Lullaby is spookily redolent of Angie Stone’s superb 2002 No.30 hit Wish I Didn’t Miss You in parts – has also served as lead vocalist, following the 2020 departure of Tom Meighan, who had fronted the group ever since its formation in Leicester 27 years ago. Meighan’s only solo effort to date, The Reckoning, reached No.17 last year. First week sales of Happenings are the lowest for any Kasabian studio effort. Their previous No.1s, their first week sales, and release years are: Empire (109,397, 2006), West Ryder Pauper Lunatic Asylum (98,423, 2008), Velociraptor! (94,088, 2011), 48:13 (70,339, 2014), For Crying Out Loud (52,413, 2017) and The Alchemist’s Euphoria (21,548, 2022). Ending a run of 11 consecutive weeks in which female solo artists held the crown, Happenings is the fourth album to wrest chart leadership from Taylor Swift’s latest album, The Tortured Poets Department (TTPD) in the last nine weeks, following Dua Lipa’s Radical Optimism, Billie Eilish’s Hit Me Hard And Soft and Gracie Abrams’ The Secret Of Us. Its consumption down for the fourth week in a row to a new low of 11,909 units, TTPD nevertheless raises its overall consumption since its release on 19 April to 568,131 units – well over twice as much as 2024’s next most-consumed album, The Weeknd’s The Highlights (235,052 units). On physical sales alone, TTPD would be No.1 for the year to date, with its to-date tally of 254,243 units, including 166,423 CDs, 83,076 vinyl albums and 4,744 cassettes. It is only the fifth album to achieve physical sales in excess of 250,000 in the 2020s, following 30 by Adele (522,122 sales), Voyage by Abba (423,881), = (Equals) by Ed Sheeran (367,537) and her own Midnights (278,398). Swift’s overall physical sales in the 2020s up to last week were 1,543,065 – more than the next two biggest acts (Ed Sheeran – 626,445 and Adele – 606,820) combined. After pausing at No.6 last week, Chappell Roan’s first album, The Rise And Fall Of A Midwest Princess, reaches a new peak for the ninth time in 10 weeks, advancing to No.5 even as its consumption falls 4.54% to 7,315 units. The rest of the Top 10: Hit Me Hard And Soft (2-3, 9,153 sales) by Billie Eilish, Brat (4-4, 8,083 sales) by Charli XCX, The Highlights (7-6, 7,090 sales) by The Weeknd, Curtain Call: The Hits (9-7, 5,598 sales) by Eminem, 50 Years: Don’t Stop (12-8, 5,168 sales) by Fleetwood Mac, Stick Season (13-9, 5,007 sales) by Noah Kahan and Lover (11-10, 4,666 sales) by Taylor Swift. Overall album sales are down 4.23% week-on-week at 2,221,865 units, 1.57% above same week 2023 sales of 2,187,432. Physical product accounts for 256,486 sales, 11.54% of the total.

GLOBAL ALBUM CHART          GLOBAL TRACK CHART