Global Chart Report
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'Apt.' reigns a
twelfth week at no.1
Sunday, January 19, 2025
by Fred Chuchel, Dresden
It's
the week of Bad Bunny! The Puerto
Rican rapper, singer, actor and
record producer climbs atop the
Global Album Chart with his new
effort 'Debí Terar Más Fotos' and
seven tracks of the set landing in
the Top 40 of the Global Track
Chart, led by the title song
(stylized as 'DtMF'), which
catapults from its no.20 debut last
week to the no.3 position with
massive 422,000 points (it's a remarkable
273% boost with 398,000 points by
streaming, 22,000 points by sales,
but only 2,000 points by airplay).
Bad Bunny became the most streamed
artist of the year, doing so three
consecutive time in 2020-2022. 2023
and 2024 he was replaced by Taylor
Swift, but this year he could return
to the summit. All 17 songs from the
album together generated more than
half a billion streams on Spotify
alone last week!
'Apt.'
by South Korean singer, songwriter
Rosé in collaboration with Bruno
Mars remains at the summit of the
Global Track Chart for a twelfth
non-consecutive
week with another
539,000 points, an 1%
increase compared to last week and
it's the eleventh week that the song
gets more than 500,000 points.
Since seven and a half year no other
hit reached that level. 2017 placed
'Despacito' by Luis Fonsi & Daddy
Yankee also eleven weeks with more than
500,000 points, 'Shape Of You' by Ed
Sheeran even with twelve weeks. Broken
down by segments, 'Apt.' generated
404,000 points by streaming this
week (down 1%), 41,000 points by sales
(down 1%), and 94,000 points by
airplay (up 8%). 'Die With A
Smile' by Lady GaGa & Bruno Mars
follows still at the runner-up slot
with 478,000 points (up 0,5% with
367,000 points by streaming, 39,000
points by sales, and 72,000 points
by airplay).
Outside
our current Top 40 waiting among
other 'Perfumito Nuevo' by Bad Bunny
& RaiNao at no.50
and 'Yellow' by Coldplay at no.56 for their first appearance on the
hitlist. As already mentioned above
Bad Bunny's sixth studio album 'Debí
Terar Más Fotos' rises at the summit
of the Global Album Chart with
215,000 equivalent sales (197,000
points by streaming + 18,000 points
by sales). Last week the set started
at no.3 with 126,000 consumption
units. His nearly three-year-old
album 'Un Verano Sin Ti' sold a
total of 8,24 million so far. Taylor
Swift's 'Lover (Live At Paris)'
arrives at the runner-up slot as the
highest debut of the week with
203,000 equivalent sales (all from
physical and digital album sales).
It consists of live renditions of
eight songs from Swift's seventh
studio album 'Lover' (2019),
recorded at the Olympia theater in
Paris on September 9, 2019. The
album were released in May 2020, but
was re-released on January 7, 2025,
on Swift's webstore as a 72-hour
limited edition. Rounds out this
week's top three is the former
number one smash 'SOS' by SZA with
152,000 consumption units (147,000
points by streaming + 5,000 points
by sales). And now, as every week,
additional stats from outside the
current Global Album Top 20 in
alphabetic order, the first figure
means last week's sales, the second
figure the total sales: '1989' by
Taylor Swift 7,000 / 16,557,000,
'1989 (Taylor's Version)' by Taylor
Swift 31,000 / 6,419,000, '21' by
Adele 16,000 / 33,468,000, '25' by
Adele 13,000 / 25,407,000, '30' by
Adele 8,000 / 6,664,000, 'After
Hours' by The Weeknd 28,000 /
10,420,000, 'Cowboy Carter' by
Beyoncé 20,000 / 1,626,000, 'Divide'
by Ed Sheeran 14,000 / 21,481,000,
'Emails I Can't Send' by Sabrina
Carpenter 21,000 / 1,937,000,
'Equals' by Ed Sheeran 7,000 /
6,269,000, 'Eternal Sunshine' by
Ariana Grande 31,000 / 2,545,000,
'Evermore' by Taylor Swift 19,000 /
6,423,000, 'Fireworks &
Rollerblades' by Benson Boone 42,000
/ 2,059,000, 'From Zero' by Linkin
Park 43,000 / 817,000, 'Future
Nostalgia' by Dua Lipa 15,000 /
9,304,000, 'Guts' by Olivia Rodrigo
31,000 / 4,234,000, 'Harry's House'
by Harry Styles 12,000 / 7,307,000,
'Heroes & Villains' by Metro Boomin
18,000 / 4,567,000, 'Lover' by
Taylor Swift 42,000 / 11,434,000,
'Midnights' by Taylor Swift 36,000 /
12,026,000, 'Muse' by Jimin 37,000 /
1,573,000, 'One Thing At A Time' by
Morgan Wallen 38,000 / 8,516,000,
'Red (Taylor's Version)' by Taylor
Swift 19,000 / 6,359,000, 'Starboy'
by The Weeknd 37,000 / 8,508,000,
'Stick Season' by Noah Kahan 49,000
/ 4,135,000, 'The Death Of Slim
Shady (Coup De Grâce)' by Eminem
15,000 / 1,438,000, 'The Highlights'
by The Weeknd 40,000 / 9,191,000,
'Un Verano Sin Ti' by Bad Bunny
38,000 / 8,236,000, 'Utopia' by
Travis Scott 30,000 / 4,973,000, and
'When We All Fall Asleep, Where Do
We Go?' by Billie Eilish 18,000 /
12,290,000.
GLOBAL NO.1 - 70 YEARS
AGO
... Yes, we celebrate the 70th
anniversary of our Global Chart by
Media Traffic! The first weekly
chart was dated to January 8, 1955
and reigned by The Chordettes' "Mr.
Sandman". The legendary song was
written by Pat Ballard and published in 1954. It was first
recorded in May of that year by Vaughn Monroe & His Orchestra
and later that year by the Four Aces and The Chordettes, the
latter was the most successful version. Cadence Records'
founder, Archie Bleyer, was the orchestra conductor on the
recording, and provided a rhythmic beat using his knees.
Bleyer's voice is heard in the third verse, when he says the
word "Yes?" The piano is played by Moe Wechsler. Liberace's name
is mentioned for his wavy hair, and a glissando (a flourish
common in his music) immediately follows. Pagliacci is mentioned
for having a lonely heart, which is a reference to the opera
Pagliacci by Ruggero Leoncavallo. "Mr. Sandman" reached number
one on all three of Billboard's popular music charts, in United
Kingdom it peaked at no.11.
USA
Billboard Report
(excerpt)
'Die With A Smile' spends
second week at No.1
Tuesday, January 14, 2025
by Keith Caulfield & Gary Trust,
Los Angeles
Lady Gaga and Bruno Mars’
“Die With a Smile” notches a
second week at No. 1 on the
Billboard Hot 100. A week
earlier, the ballad about
flashing pearly whites just
before reaching the
pearly gates became Gaga’s
sixth Hot 100 leader and
Mars’ ninth. With the
coronation, Gaga joined the
elite company of Janet and
Michael Jackson as the only
artists with multiple Hot
100 No.1s in three distinct
decades,
with Gaga now boasting two
leaders each in the 2000s,
‘10s and ‘20s. “Die With a
Smile,” on Interscope
/Atlantic, totaled 61.8
million radio airplay
audience impressions (up 4%
week-over-week), 28 million
official streams (up 3%) and
5,000 sold (down 8%) in the
United States Jan. 3-9. The
track tallies a second week
at No. 1 on the Streaming
Songs chart, holds at its
No. 2 high on Radio Songs and
lifts 4-3 on Digital Songs
Sales,
which it led for two weeks.
Notably, “Die With a Smile”
is Lady Gaga’s second Hot
100 No. 1 duet ballad,
following “Shallow,” with
Bradley Cooper. The latter,
from the movie A
Star Is Born,
starring the pair, led for a
week in March 2019. Gaga is
just the second artist to
top the Hot 100 with two
duet
ballads between a male and
female soloist and no other
billed acts. Ariana Grande
initiated the honor via
“Stuck With U” with Justin
Bieber, in May 2020, and
“Die for You” with The
Weeknd (after she joined for
its remix), in March 2023.
Morgan Wallen’s “Smile”
surges 27-4 in its second
week on the Hot 100,
following the first full
week of tracking for the
song, which arrived on Dec.
31. It drew 24.7 million
streams and 2.7 million in
airplay audience and sold
7,000 Jan. 3-9. “Smile”
becomes Wallen’s 12th Hot
100 top 10. It’s his third
consecutive stand-alone top
10, after “Love Somebody”
launched at No. 1 in
November and “Lies Lies
Lies” debuted at its No. 7
high last July. Shaboozey’s
“A Bar Song (Tipsy)” holds
at No. 2 on the Hot 100,
following a record-tying 19
weeks at No. 1 beginning
last July. It rules Radio
Songs for a 24th week (66.2
million in audience, down
3%). Billie Eilish’s “Birds
of a Feather” repeats at No.
3 on the Hot 100, after
reaching No. 2. Rosé and
Bruno Mars’s “Apt.” keeps at
its No. 5 Hot 100 high;
Teddy Swims’ “Lose Control,”
which led the Hot 100 for a
week in March 2024 – and
became the year’s top song –
slips 4-6; and Kendrick
Lamar and SZA’s “Luther” is
steady at No. 7, after
hitting No. 3. Rounding out
the Hot 100’s top 10, Gracie
Abrams’ “That’s So True”
dips to No. 8 from its No. 6
best; Post Malone’s “I Had
Some Help,” featuring
Wallen, backtracks 8-9,
following six weeks at No.
1 beginning upon its debut
last May; and Sabrina
Carpenter’s “Espresso”
descends 9-10, after
reaching No. 3. Lil Baby
collects his fourth No. 1
album on the Billboard 200
chart, all tallied
consecutively, as Wham opens
atop the chart dated Jan.
18. The set earned 140,000
equivalent album units in
the U.S. in the week ending
Jan. 9, according to
Luminate. The rapper
previously topped the list
with his last three
releases: It’s Only Me
(2022), The Voice of the
Heroes (with Lil Durk, 2021)
and My Turn (2020). Of
Wham’s 140,000 first-week
equivalent album units, SEA
units comprise 90,000
(equaling 119.77 million
on-demand official streams
of the streaming version of
the album’s songs; the set
debuts at No. 3 on the Top
Streaming Albums chart),
album sales comprise 50,000
(it debuts at No. 1 on Top
Album Sales) and TEA units
comprise a negligible sum.
Bad Bunny’s DeBÍ TiRAR MáS
FOToS starts at No. 2 on the
Billboard 200 with 122,000
equivalent album units
earned. Of that sum, SEA
units comprise 113,500
(equaling 152.16 million
on-demand official streams
of the set’s 17 songs; it
debuts at No. 1 on Top
Streaming Albums), album
sales comprise 8,000 and TEA
units comprise 500. The
album was only available as
a standard 17-song set via
streaming services and to
purchase as a digital
download (also discounted to
$4.99 in Bad Bunny’s
official webstore and the
iTunes Store). Bad Bunny’s
DeBÍ TiRAR MáS FOToS is his
seventh top 10-charting set.
Bunny’s album was released
on an off-cycle Sunday (Jan.
5) and, thus, it arrives on
the chart with only five
days of activity (as the
chart’s tracking week runs
Friday through Thursday).
The album’s release date was
announced on Dec. 25. DeBÍ
TiRAR MáS FOToS was preceded
by a pair of entries from
the album on the Billboard
Hot 100 songs chart: “EL
CLúB” and “PIToRRO DE COCO.”
Three former No. 1s follow
on the Billboard 200: SZA’s
SOS falls 1-3 on the
(113,000 equivalent album
units earned; down 13%),
Kendrick Lamar’s GNX moves
2-4 (67,000; down 4%) and
Sabrina Carpenter’s Short n’
Sweet slips 3-5 (51,000;
down 9%). The Wicked film
soundtrack dips 4-6 (45,000
equivalent album units; down
7%); Billie Eilish’s Hit Me
Hard and Soft falls 5-7
(43,000; down 5%); Morgan
Wallen’s chart-topping One
Thing at a Time is a
non-mover at No. 8 (40,000;
down 1%); Gracie Abrams’ The
Secret of Us is steady at
No. 9 (38,000; down 5%); and
Tyler, The Creator’s former
leader Chromakopia is
stationary at No. 10
(37,000; down 3%).
Record Of The Month
'Tu Boda' is
the second collab between
Mexican musician Óscar
Maydon and American
regional Mexican band Fuerza
Regida and it's a massive
success in Latin America.
It was met with criticism
for its lyrics, specifically
the lyric reading, "Quiero
manchar el vestido
blanco de rojo" ("I want to
stain the white dress red"),
which were suspected to
promote femicide.
United Kingdom
Music Week Report
(excerpt)
Gracie Abrams keeps the
number one spot
Monday, January 20, 2025
by Alan Jones, London
In the tightest top three in
more than two years, That’s
So True by Gracie Abrams is
No.1 for the third week in a
row, and the eighth week in
total, with consumption
rising 2.98% week-on-week to
50,584 units (536 digital
downloads and 50,048
sales-equivalent streams) –
its highest level for eight
weeks.
It continues to be followed by Apt (2-2, 49,759 sales) by Rosé & Bruno Mars and
Messy (3-3, 49,468 sales) by Lola Young, both of which register double digit
percentage increases in consumption to new highs.
The margin of 1,116 units between No.1 and No.3 is the smallest since 9 December
2022 (110 weeks ago), when All I Want For Christmas Is You (44,797 sales) by
Mariah Carey led from Escapism (43,895 sales) by Raye feat. 070 Shake and Last
Christmas (43,685 sales) by Wham!. The Top 3 range that week was thus 1,112
units, the smallest since 2007.
Nine weeks after it debuted and peaked at No.12, Nice To Meet You becomes the
second Top 10 hit thus far for Bedfordshire singer/songwriter Myles Smith,
powering 13-6, with consumption growing 36.11% to 22,839 units, after he
performed it and chatted on BBC1’s Graham Norton Show last Friday (January 10).
Meanwhile, Sabrina Carpenter’s Bed Chem – which peaked at No.6 –
rebounds 12-10
(19,772 sales), returning to the Top 10 after an absence of eight weeks, with
1,371 of those sales coming from its newly released 7-inch vinyl format.
Increasing consumption for the 10th week in a row to its highest level yet,
Chrystal’s debut hit The Days bounces 6-5 (30,987 sales), returning to the peak
it first scaled a fortnight ago.
Teddy Swims continues to have two Top 10 hits, with The Door (7-7, 21,887 sales)
and Bad Dreams (9-9, 20,999 sales). Lose Control (23-27, 12,583 sales)
completing his trio of concurrent hits under primary artist rules, meaning that
Swims is in the unfortunate and unusual position of having his brand-new track,
Are You Even Real – a soulful collaboration with Giveon, and the first taste of
his upcoming I’ve Tried Everything But Therapy Part 2 album – being starred-out
between No.47 and No.48 (9,055 sales).
Completing a Top 10 in which seven songs are static and every track increased
consumption: Sailor Song (4-4, 33,228 sales) by Gigi Perez and Lady Gaga & Bruno
Mars’ duet, Die With A Smile (8-8, 21,304 sales).
After returning to the Top 10 last week, Who now dips 5-13 (18,599 sales) for
BTS star Jimin, while Defying Gravity (10-11, 19,488 sales) also exits the top
tier for Cynthia Erivo feat. Ariana Grande.
Overall singles consumption is up 8.13% week-on-week to 29,389,252 units, 5.10%
above same week 2024 consumption of 27,962,332 units. Paid-for sales are up
12.88% week-on-week at 244,394, 9.03% below same week 2024 sales of 268,664.
Some 23 weeks after it first topped the chart, The Rise And Fall Of A Midwest
Princess returns to No.1 for Chappell Roan.
Home to the hits Hot To Go!, Red Wine Supernova, Pink Pony Club and Casual – but
not Roan’s breakthrough hit Good Luck, Babe! – the 2023 release is 26-year-old
Roan’s only album to date and got off to a slow start, taking nearly six months
to make the Top 75 and nine months to make the Top 10.
Roan was announced as the winner of the annual BBC Sound Of… award last week.
Her election to that prestigious title, and Pink Pony Club’s elevation to Tune
Of The Week on BBC Radio 1 and B-list on BBC Radio 2 add up to a heap of help
from the corporation, driving a 63.44% increase in consumption of The Rise And
Fall…, which consequently jumps 7-1 (10,191 sales, including 556 CDs, 4,238
vinyl albums, 42 cassettes, 167 digital downloads and 5,188 sales-equivalent
streams) on its 31st consecutive appearance in the Top 10. The biggest factor in
its success this week, however, was the release of a new blue ‘crushed splatter’
vinyl edition, which accounted for 2,265 sales.
Leading all of the week’s sales flashes, Franz Ferdinand’s first album of new
material in nearly seven years, The Human Fear, was on target to earn the
Glasgow-based quintet its second No.1, more than 19 years after their second
album, You Could Have It So Much Better topped the chart. However, it has to
settle for a No.3 debut on consumption of 8,999 units, being overtaken at the
death not only by The Rise And Fall… but also by Short M’ Sweet, which is No.2
(10,087 sales) for the fourth week in a row, and the 15th time in 21 weeks since
its release for Sabrina Carpenter.
The Rise And Fall’s return to No.1 was despite it achieving the lowest
consumption for a No.1 album for 54 weeks, and its lead over Short N’ Sweet –
104 sales - was the smallest for a No.1 over a No.2 in more than seven years –
since, in fact, Michael Ball & Alfie Boe’s Together Again trumped Stereophonics’
Scream Above The Sounds 43,795 to 43,760 in the 6 November 2017 chart, 376 weeks
ago.
Returning to Franz Ferdinand, The Human Fear is their sixth studio album, and
consists entirely of original songs penned by their 52-year-old lead singer and
lead guitarist Alex Kapranos – some of them with other band members – and
although its bid for No.1 ends in valiant failure, its first week consumption
was 17.31% higher than the 7,671 units their last studio album, Always
Ascending, registered on debut in 2018.
The Human Fear is Franz Ferdinand’s seventh straight Top 10 album – their entire
studio output plus 2022 compilation Hits To The Head. Contrary to the title of
their last album, overall consumption of their studio albums is always
descending. Their eponymous 2004 debut peaked at No.3 and has consumption of
1,314,892 copies; 2005 chart-topper You Could Have Is So Much Better has
consumption of 517,437 units; 2009 No.2 set, Tonight, has consumption of 124,388
units; 2013 No.6 set Right Thoughts Right Words Right Action has consumption of
51,081 units and Always Ascending, No.6 on debut in 2018, has consumption of
19,251 units. Hits To The Head, which reached No.7, included a couple of new
tracks, and has to-date consumption of 25,579 units.
The rest of the Top 10: SOS (3-4, 8,644 sales) by SZA, +-=÷× Tour Collection
(4-5, 7,431 sales) by Ed Sheeran, The Highlights (5-6, 7,217 sales) by The
Weeknd, Diamonds (1-7, 7,056 sales) by Elton John, 50 Years: Don’t Stop (10-8,
5,920 sales) by Fleetwood Mac, Hit Me Hard And Soft (6-9, 5,776 sales) by Billie
Eilish and Stick Season (9-10, 5,760 sales) by Noah Kahan.
Brat – which became Charli XCX’s first platinum album last week – exits the Top
10 for the fourth time, falling 8-11, with sales of 5,555 copies raising its
cume to 307,929.
Overall album sales are up 7.06% week-on-week at 2,417,907 units, 4.86% above
same week 2024 sales of 2,305,766. Physical product accounts for 273,119 sales,
11.30% of the total.